![]() Biography: 2 Biography Thomas Stearns Eliot was born in St. Louis, Missouri, the seventh and youngest child of a distinguished family of New England origin. Henry, Eliot's father, was a prosperous industrialist and his mother Charlotte was a poet. Eliot attended Smith Academy in St. Louis and Milton Academy in Massachusetts. ![]() Eliot’s conservative dramaturgy is clearly expressed in his 1928 essay “Dialogue on Dramatic Poetry” in which, as C. Barber notes, he suggests that “genuine drama” displays “a. Eliot's The Cocktail Party goes through a surprising transformation in its. On the other hand, is applicable to the work, its creator and characters and lastly. ![]() In 1906 he went to Harvard, where he contributed poetry to Harvard Advocate. After receiving his B.A. In 1909, Eliot spent a year in France, attending Henri Bergson's lectures and studying poetry with the novelist and poet Henri Alain-Fournier. He then returned to Harvard, where he worked on a dissertation on the English idealist philosopher F.H. Eliot also studied Sanskrit and Buddhism. In 1915 Eliot made England his permanent home. With Ezra Pound, his countryman and an advocate on literary modernism, he started to reform poetic diction. Pound was largely responsible for getting Eliot's early poems into print, such as “The Love song of J. Alfred Prufrock”. For specific registry locations of certicate stores, see. Installing certificate on local machine repair. Be aware that all current user certificate stores inherit the contents of the local machine certificate stores. Eliot taught for a year at Highgate Junior School in London, and then worked as a clerk at Lloyds Bank, where he wrote articles for the monthly in-house magazine. : 3 With his collection of essays, “The sacred wood” (1920), and later published “The use of poetry and the us of criticism” (1933). In 1922 Eliot founded the Criterion, a quarterly review that he edited until he halted its publication at the beginning of World War II. With the help of Pound, who had raised money from friends and patrons, Eliot left the bank. In 1925 he joined the publishing house of Faber and Gwyer (later Faber and Faber), becoming eventually one of the firm's directors. Between the years 1917 and 1919, Eliot was an assistant editor of the journal the Egoist. From 1919 onward he was a regular contributor to the Times Literary Supplement Eliot's first marriage from 1915 with the ballet-dancer Vivienne Haigh-Wood turned out to be unhappy. She was temperamental, full of life, restless:her condition was diagnosed as hysteria. Later Eliot married his secretary, Valerie Fletcher. After a physical and mental breakdown in 1921, Eliot went to Lausanne for treatment. Following Pound's suggestion, Eliot reduced The Waste Land and the first version, with Pound's revisions, was published in 1971. : 5 Poetry: The love song of J. Prufrock: it was dedicated to one of Eliot’s friends. It talks about a man in love who understands that love is impossible because he lives the man’s crisis of values of nineteenth century, a man who feels a sense of restlessness, who doesn’t say how to face the changes of a modern and scientific age; so Prufrock represents frustration and impotence in front of problems bigger than him.The Waste Land: it’s a long poem. This land is the land of medieval poems that the knights must cross for the search of the Graal (one of the central symbols of the poem), and it’s also the modern world characterized by the crisis of values and human sterility of western civilization, in opposition to the ancient age. But in this modern world the search doesn’t succeed, because truth is elusive. Neither the arrival of the sprig brings happiness and consolations, because in the modern world nothing has significance.The hollow men: it’s a poem and contains some themes of The Waste Land.
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